AT A GLANCE
Why go?
Perched at the highest point of Montalcino — a hilltop town celebrated for its Brunello wine and the sweeping Val d'Orcia landscape below — the Cathedral of the Holy Savior (Concattedrale di San Salvatore) is a striking Neo-Classical church that commands the town's upper ridge. Though its clean-lined facade with six Ionic columns dates to the early 19th century, the site has been Montalcino's spiritual heart since around the year 1000, and it was elevated to cathedral status by Pope Pius II in 1462.↗↗
Inside, visitors find a luminous white-and-gold interior housing paintings by Francesco Vanni, 11th-century sculptural fragments from the original Romanesque parish church, a fine 1858 Agati organ, and a monumental high altar designed by the cathedral's own architect. Just outside, a 16th-century stone well harbors a surprising contemporary artwork by Jannis Kounellis.↗↗
A Thousand Years on the Poggio
The first church on this site, a Romanesque pieve dedicated to the Holy Savior, is believed to have been built around the year 1000 and is documented from 1233. It stood under the jurisdiction of the powerful nearby Abbey of Sant'Antimo until 1462, when Pope Pius II — Enea Silvio Piccolomini, the humanist pontiff who had a deep personal attachment to the Val d'Orcia — erected the Diocese of Montalcino and raised the pieve to cathedral. The ancient church was demolished in 1817 and entirely rebuilt between 1818 and 1832 in the Neo-Classical style by the Sienese architect Agostino Fantastici. Consecrated in 1864, it is today an Italian national monument and serves as a co-cathedral of the Archdiocese of Siena–Colle di Val d'Elsa–Montalcino.